Voz, canção e história da MPB nos retratos impressionistas de Georges Gachot // VOICE, SONG AND MPB’S HISTORY ON IMPRESSIONIST PORTRAITS OF GEORGES GACHOT

Authors

  • Marcia Carvalho FAPCOM/ ECA-USP

DOI:

https://doi.org/10.9771/contemporanea.v12i2.10661

Keywords:

Documentário musical, biografia, trilha sonora, análise fílmica, Impressionismo.

Abstract

O artigo apresenta uma breve análise dos documentários musicais do diretor Georges Gachot: Maria Bethânia – Música é perfume (2005) e Rio Sonata (2010). Pretendo examinar o tratamento sonoro e musical explorado nos enlaces da memória individual de depoentes, da apropriação de material de arquivo e edição de imagens tomadas no presente da filmagem, que revelam um estilo de direção mais poético do que informativo.

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Author Biography

Marcia Carvalho, FAPCOM/ ECA-USP

Doutora em História e Teoria do Cinema pelo Programa de Multimeios da UNICAMP. Professora e Coordenadora do Curso de Rádio, TV e Internet da Faculdade Paulus de Tecnologia e Comunicação. Pós-doutoranda na ECA-USP.

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Published

2014-06-30

How to Cite

Carvalho, M. (2014). Voz, canção e história da MPB nos retratos impressionistas de Georges Gachot // VOICE, SONG AND MPB’S HISTORY ON IMPRESSIONIST PORTRAITS OF GEORGES GACHOT. Contemporanea, 12(2), 360–369. https://doi.org/10.9771/contemporanea.v12i2.10661

Issue

Vol. 12 No. 2 (2014): Dossiê A canção popular na cena audiovisual: cinema, televisão e novas telas

Section

Dossiê Temático

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