Tristão e Isolda no sertão: dialogismo e adaptação no filme Romance, de Guel Arraes // Tristan and Isolde in the hinterland: dialogism and adaptation in the film Romance, by Guel Arraes

Authors

  • Afonso Barbosa
  • Luiz Antonio Mousinho

DOI:

https://doi.org/10.9771/contemporanea.v14i3.17841

Keywords:

Cinema, Dialogism, Guel Arraes.

Abstract

We aim to analyse the film Romance, by Guel Arraes, observing its intertextual relations from the standpoint of Bakhtin's dialogism. We are going to investigate these processes from Robert Stam studies within literature and cinema, in addition to examining data from the adaptation context also expounded by this researcher. We also analyse the characterization of the characters and the connections established between the film and other literary narratives and dramatic texts.

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Author Biographies

Afonso Barbosa

Doutorando em Letras pela Universidade Federal da Paraíba.

Luiz Antonio Mousinho

Doutor em Teoria e História Literária pela Universidade Estadual de Campinas. Bolsista de produtividade em pesquisa do CNPq e professor associado.

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Published

2016-12-21

How to Cite

Barbosa, A., & Mousinho, L. A. (2016). Tristão e Isolda no sertão: dialogismo e adaptação no filme Romance, de Guel Arraes // Tristan and Isolde in the hinterland: dialogism and adaptation in the film Romance, by Guel Arraes. Contemporanea, 14(3), 318–333. https://doi.org/10.9771/contemporanea.v14i3.17841

Issue

Vol. 14 No. 3 (2016)

Section

Artigos

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