Mapeando o inexistente: os estudos de recepção cinematográfica, por que não interessam à Universidade brasileira?

Authors

  • Fernando Mascarello

DOI:

https://doi.org/10.9771/contemporanea.v3i2.3462

Keywords:

Recepção cinematográfica, Cinema brasileiro, Teoria do cinema

Abstract

This paper discusses the theoretical and the political/institutional aspects which were considered responsible for the absolute marginalization of the interest in cinematic reception in film studies in Brazil, such as: 1)the survival of Glauberian¬ism as the theoretical and aesthetical canon; 2)the absence of political-academic wish to dialogue with the international theoretical and methodological output - such as cultural studies and cognitivism - which, appearing in the 1980s, oppose, in the field of spectatorship, the modernist textualism typical of cinema studies in the 1970s; and 3) the hypertrophy and anticontextualism of the field of film analysis, preventing the look towards the actual spectator. At the end, as part of a movement of rupture with the present situation, the article presents ongoing research project, named “Discourses of the audience on Brazilian cinema”.

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Author Biography

Fernando Mascarello

Doutor em Cinema pela ECA/USP, coordenador do curso de Realização Audiovisual da Unisinos (Universidade do Vale do Rio dos Sinos, RS), membro do Conselho Exe¬cutivo da SOCINE (Sociedade Brasileira de Estudos de Cinema), editor da Revista AV – Audiovisual e da revista Teorema – Crítica de Cinema, pesquisador da Unisinos na área de cinema e audiovisual

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Published

2009-07-10

How to Cite

Mascarello, F. (2009). Mapeando o inexistente: os estudos de recepção cinematográfica, por que não interessam à Universidade brasileira?. Contemporanea, 3(2). https://doi.org/10.9771/contemporanea.v3i2.3462

Issue

Vol. 3 No. 2 (2005)

Section

Artigos

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