Rir por quê? Ironia e pensamento, vida e morte em Kierkegaard e Woody Allen

Authors

  • Marcio Acselrad

DOI:

https://doi.org/10.9771/contemporanea.v7i1.3605

Keywords:

Humor, Riso, Ironia, Pensamento

Abstract

The studies on humor and laughter have been growing in the past few years. Adored and divinized in ancient Greece, humor was later banished from the field of thought in Greece and, later on, with a modernity so serious and scientific. Nowadays it is being revisited strongly. The goal of the present article is to try and understand the phenomenon in recent times, mainly from the end of the nineteen century on, more specifically after Nietzsche and Kierkegaard have laid eyes upon the subject of irony. We intend to work both the philosophical and the communicational aspects, showing how they are bonded. We shall also use the cinema of Woody Allen to exemplify our main ideas.

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Author Biography

Marcio Acselrad

Doutor em Comunicação pela UFRJ e Professor Titular de Teoria da Comunicação e de Estética da UNIFOR: Universidade de Fortaleza e da FA7: Faculdade Sete de Setembro. Coordenador do LABGRAÇA - Laboratório de Estudos do Humor e do Riso e do Cineclube Unifor

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Published

2009-09-26

How to Cite

Acselrad, M. (2009). Rir por quê? Ironia e pensamento, vida e morte em Kierkegaard e Woody Allen. Contemporanea, 7(1). https://doi.org/10.9771/contemporanea.v7i1.3605

Issue

Vol. 7 No. 1 (2009)

Section

Artigos

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