The consumption of song as aesthetic experience

Authors

  • Laan Mendes Barros Universidade Metodista de São Paulo

DOI:

https://doi.org/10.9771/contemporanea.v10i1.5825

Keywords:

Popular song, aesthetic experience, mediated culture.

Abstract

The article talks about popular song as cultural and media phenomenon and The consumption of the song of consumption in the context of transition from mass society to network society. It takes the artistic expressions such as “open works”, subject to interpretations and recreations and has as objective the understanding of the question of listening to music as a esthetic experience, according to the perspective of Mikel Dufrenne, designed in the field not only the object but also of perception. Therefore, it deals the “aesthetics of reception”, as the Konstanz School indicates, as time-space new poetics in which the receptors generate new meanings. Still, it develops new “soundscapes”, in Murray Schaffer terms, and musical communities in the context of the network society and the proliferation of sounds.

Downloads

Download data is not yet available.

Author Biography

Laan Mendes Barros, Universidade Metodista de São Paulo

Doutor em Ciências da Comunicação pela Universidade de São Paulo – ECA-USP, com Pós-Doutorado na Université Stendhal - Grenoble 3, França. Professor Titular da Universidade Metodista de São Paulo.

Downloads

Published

2012-06-11

How to Cite

Barros, L. M. (2012). The consumption of song as aesthetic experience. Contemporanea, 10(1), 68–79. https://doi.org/10.9771/contemporanea.v10i1.5825

Issue

Vol. 10 No. 1 (2012): Dossiê Música, Escuta e Comunicação

Section

New Section Title Here

License

Authors publishing in this journal must agree to the following copyright terms:

Authors retain copyright and grant the journal Contemporanea and the Faculty of Communication of the Federal University of Bahia the right of first publication, with the work simultaneously licensed under the Creative Commons Attribution 4.0 License (CC BY 4.0), which allows the sharing of the work with acknowledgment of authorship and initial publication in this journal.

Authors are authorized to enter into separate, additional contractual arrangements for the non-exclusive distribution of the version of the work published in this journal (e.g., publishing in an institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.

Authors are permitted and encouraged to post and distribute their work online (e.g., in institutional repositories or on their personal website), as this can lead to productive exchanges, as well as increase the impact and citation of the published work.