Cinema de autor e canções populares // AUTHOR CINEMA AND POPULAR SONGS
DOI:
https://doi.org/10.9771/contemporanea.v12i2.10622Keywords:
canção, cinema, autoria.Abstract
Analisamos as canções do tipo yé-yé presentes em filmes de Robert Bresson e Jean-Luc Godard a partir do conceito de “autor”, evocado pelo próprio Godard e retomado por Claudia Gorbman quanto à utilização da música. Tal repertório, embora empregado numa dualidade em relação à música clássica preexistente presente nos mesmos filmes, também desvela ambiguidades, usos irônicos e importantes funções narrativas, além de exercer um “efeito de real”.Downloads
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