The Musical Manneirism: a reflection about the proximity between Mannerism aesthetics and music

Authors

DOI:

https://doi.org/10.9771/ictus.v14i1.36441

Keywords:

Renaissance, Musical Manneirism, Italian Madrigal, Carlo Gesualdo.

Abstract

The Mannerism is the aesthetic reclassification of the artistic production of the final decades of the sixteenth century. When the european society underwent profound transformations that echoed in artistic language. In the musical repertoire of the period we find a select group of madrigalists whose works are close to the characteristics of Mannerism. This approach offers relevant tools to deepen their understanding. This paper reflected on the aesthetics of Mannerism and its application in the musical repertoire, reinforcing the proof of its existence and its relevance in the history of music.

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Author Biography

Rafael Luís Garbuio, UFBA

Professor de Regência Coral

Pesquisador da Música do Renascimento.

Autor do livro "Os Madrigais de Carlo Gesualdo - um estudo interpretativo à luz de seu ideal poético"

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Published

2020-07-31

Issue

Vol. 14 No. 1 (2020)

Section

Articles

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The copyright of the articles published in the ICTUS Music Journal are of the author(s), with the sole exception of the first publication rights granted by the author(s) to the journal, in its online versions and / or on paper. As they appear in this publicly accessible magazine, the articles are free to use, with their own attributions, in educational and non-commercial applications.