This faughter is funny
the relationship between comicity na sexuality in the text ‘Greta Garbo, quem diria, acabou no Irajá’
DOI:
https://doi.org/10.9771/peri.v2i17.47317Abstract
This article analyzes how the ever present comicality in Fernando Mello’s play Greta Garbo, quem diria, acabou no Irajá (1974) acts as an important political device in the debate on sexuality issues. Written and staged during the Brazilian civil-military dictatorship, the play depicts a conflicting love relationship between two type characters: Pedro, a very
effeminate gay, and Renato, a young country man who, by a trick of fate, becomes a hustler. In this regard, this paper problematizes the political nature of the comic which, in Mello’s text, acts as a valuable element for giving visibility and empowering the queer character (Pedro), as well as gay love, in a serious period of Brazil’s history when homosexual subjects were seen as inferior and pathological.
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Copyright (c) 2022 Caio César Silva Rocha, Alberto Tibaji

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