Oppression and resistance
representations of urban space in contemporary literary narratives
DOI:
https://doi.org/10.9771/peri.v1i18.47574Abstract
The discussion aims to address literary representations of urban space and the relations of oppression and resistance that permeate the city. For this, two literary productions were selected to highlight dissident urban narratives. The autobiographical account written by Amara Moira, in E se eu fosse puta, alongside the collection of short stories entitled O sol na Cabeça, by Geovani Martins, are literary productions whose expressions allows us to verify striking representations of urban space, its contradictions, and antagonisms. Understanding the literary construction of these authors from a decentered perspective, in this sense, engenders subversive approaches that star in insurgent peripheral performances. Thematizing and problematizing these works, therefore, makes it possible to rethink the division of spaces, the unequal relationships that permeate the city, and the possible strategies of resistance and subversion that work for the democratization of spaces.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2022 Leandro Souza Borges Silva

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish in this journal agree to the following terms:
Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under a Creative Commons Attribution Noncommercial License that allows the work to be shared with acknowledgment of authorship and initial publication in this journal, but prohibits commercial use.
Authors are authorized to enter into separate additional contracts for non-exclusive distribution of the version of the work published in this journal (e.g., publishing in an institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
Authors are permitted and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their personal website) at any point before or during the editorial process, as this can generate productive changes and increase the impact and citation of the published work (see The Effect of Open Access).






