“O homem que virou suco”

masculinity notions in dispute in Brazilian cinema

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DOI:

https://doi.org/10.9771/peri.v1i19.49982

Abstract

Society organizes itself amids a web of cultural, political and social components that, historically, interpellate the population and can articulate plural ways of subjectivation. Following this perspective, the present paper understands Brazilian cinema as a technology which produces hegemonics perspectives and gender dissidents. From the documentary analysis of the movie “O homem que virou suco”, produced in the country in 1980, this research problematizes, more specifically, a part of the masculinity notions that are articulated in the piece, from an intersectional perspective. The conclusion highlights the importance of Brazilian cinematography productions on the denunciation and further analysis of the structural conditions that imply inequalities and suffering of the population.      

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Author Biographies

Flávia Fernandes de Carvalhaes, State University of Londrina

PhD in Psychology from the Federal University of Santa Catarina (2015), Master in Social Psychology from the Universidade Estadual Paulista/UNESP (2008). Professor at the Department of Social and Institutional Psychology and at the Postgraduate Program in Psychology at the State University of Londrina.
Member of the Entretons Research and Extension Project.

Flávia Angelo Verceze, State University of Londrina

Professor at the Department of Psychology and Psychoanalysis at the State University of Londrina. Psychologist, specializing in Psychoanalytic Clinic, specialist in Women's Health and Master in Psychology from the State University of Londrina (2019). Member of the Entretons Research and Extension Project

Leonardo Antonio Soethe Pereira, State University of Londrina

Student in Psychology at the State University of Londrina. Member of the Entretons Research and Extension Project

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Published

2023-08-29

How to Cite

Fernandes de Carvalhaes, F., Angelo Verceze, F., & Antonio Soethe Pereira, L. (2023). “O homem que virou suco”: masculinity notions in dispute in Brazilian cinema . Revista Periódicus, 1(19), 284–301. https://doi.org/10.9771/peri.v1i19.49982

Issue

Vol. 1 No. 19 (2023): To circulate in alliance: methodologies of collaboration and movements between worlds

Section

Free section

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Copyright (c) 2023 Flávia Fernandes Carvalhaes

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