Identity, memory and gender coloniality in the tale “Tílburi de praça”, by Raul Pompéia
DOI:
https://doi.org/10.9771/peri.v3i20.57001Abstract
A classic of Brazilian modernism, “Tílburi de praça”, by Raul Pompéia, presents elements that highlight the coloniality of gender that is structuring in Brazilian society, in terms of the universalization of women's identity within patriarchal molds, and also traits that allow the deconstruction of this. The purpose of this writing is to elucidate the characteristics that articulate the narrator-character to the axes of identity and memory, in order to observe how he constructs, based on his worldview, the other characters throughout the story. The theoretical-methodological contribution to the analysis is based on the writings of Ricoeur (1994), Costa (1992), Maingueneau (2006; 2008), Reis (1995), Santos (2011), Lugones (2014) and Engels (1884).
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