Ramita seca, tu corazón
performance, fabulación y experiencia drag latina-americana en Bartolina Xixa
DOI:
https://doi.org/10.9771/peri.v1i23.62231Abstract
In this article, we discuss the performances of the Argentinian drag queen Bartolina Xixa, an artist who calls herself a diverse drag queen, based on the observation of two of her videos: Ramita Seca: La colonialidad permanent (2019) and BARTOLINA XIXA (2019). We interrogate the ways in which the artist's experience constitutes an important shift in relation to entertainer drag queens, by claiming processes of territorialization and deterritorialization that emerge in her performances and concern her relationship with different aspects of her experience in the world: the geographic origin, on the border between Argentina, Bolivia and Chile; the binarity inscribed in traditional Andean cultures and the updating of colonial logics in Latin America. In dialogue mainly with La Fountain-Stokes (2011; 2021), Hartman (2008), Taylor (2013), Comolli (2008) and Brasil (2011), we seek to identify dimensions of fabulation in Bartolina Xixa's artistic practices, inscribed in her performances and in the mise en scène of the videos, that claim a marica & chola existence, politically questioning the imaginary of white Argentina, the ethnic erasure of the region's black and indigenous populations and the very idea of what a drag queen performance is.
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Copyright (c) 2025 Pedro Henrique Andrade, Gabriela Machado Ramos de Almeida

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