Dissident semioses in the collaborative artistic creation
¿Dónde están las cartas de nuestras ancestras al caminar sobre fuego?, of the Colectivo Ayllu
DOI:
https://doi.org/10.9771/peri.v1i23.62239Abstract
Based on the analysis of the collaborative production ¿Dónde están las carta de nuestras ancestras al caminar sobre fuego?, exhibited at the 35th Bienal of São Paulo, this article aims to discuss the way in which Colectivo Ayllu, formed by a group of Latin American migrants residing in Spain, builds a dissident creative practice, while opposing hegemonic narratives. From our perspective, this occurs based on the collective and collaborative creation methodology proposed by Colectivo Ayllu, in which different singularities are correlated throughout the performances of dissident bodies. Therefore, result and process are closely linked, so that the apprehension of the panel-fabric implies the articulation of different sign arrangements in a semiotic continuum whose spiral temporality unfolds in the materialization of Latin American and artistic ancestral strategies of (re)existence.
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Copyright (c) 2025 Regiane Miranda de Oliveira Nakagawa, Patrícia de Oliveira Iuva, Fabio Sadao Nakagawa

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