Aesthetics as existence
links between performance art and performances of lived experience and the digital circuit
DOI:
https://doi.org/10.9771/peri.v1i23.62254Abstract
In this article reflects on the overlap between lived performances and artistic performances and their emphasis, from the 2000s onwards, when black artists appeared on the scene, gaining greater protagonism. These are works that carry an aesthetic as an existence and an existence as an aesthetic, with the body as its main form of expression and communication, now expanded by circulation in digital environments. In this theoretical-methodological reflection, we use performance as a lens of analysis, using as a reference the thoughts of authors Leda Maria Martins (2021) and Diana Taylor (2013).
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Copyright (c) 2025 Caroline Vieira Sant’Anna
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