“I am a living body trapped in a normative regime"
experience, sex and race in the film Orlando, my political biography
DOI:
https://doi.org/10.9771/peri.v1i22.63957Abstract
The essay analyzes Paul Preciado's film Orlando, My Political Biography, based on readings from the field of the Sociology of Differences. Inspired by the work of Virginia Woolf, Preciado presents a narrative where multiple non-binary figures take the name Orlando, exploring how the characters' collective and personal experiences blur together. This text aims to discuss the trans-historical narratives constructed by the film from a queer and post-colonial perspective.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Guilherme Pessatti do Couto

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish in this journal agree to the following terms:
Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under a Creative Commons Attribution Noncommercial License that allows the work to be shared with acknowledgment of authorship and initial publication in this journal, but prohibits commercial use.
Authors are authorized to enter into separate additional contracts for non-exclusive distribution of the version of the work published in this journal (e.g., publishing in an institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
Authors are permitted and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their personal website) at any point before or during the editorial process, as this can generate productive changes and increase the impact and citation of the published work (see The Effect of Open Access).






