Speaking for our difference
word, body and performance in and through the street by Pedro Lemebel, Batato Barea and Suzy Shock
DOI:
https://doi.org/10.9771/peri.v1i23.61563Abstract
This article aims to reflect on the relevance of artistic productions, in a confluence of poetry, body and performance, in affirming dissident identities within a post-dictatorial South American context. Taking as a starting point the discussion of identity postulated by Leonor Arfuch (2005), we propose to establish a dialog between the critical thinking and artistic aesthetics of Pedro Lemebel, Batato Barea and Susy Shock. In the wake of political discussions over the last twenty years - discussions which have catalyzed a cuír/sudaka subjectivity - summoning these dissident gendered bodies present in the argentine and chilean territories ratifies an impetus to radically transform the imaginary of the city in the perspective of a world to come.
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Copyright (c) 2025 Haroldo André Garcia de Oliveira

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