BODY OF THE HUNTER INDIAN, ENDOLANGUAGE AND VOICE

SINGING URY VWA IN THE FOREST OF THE GUAYAQUI-ACHÉ OF PARAGUAY

Abstract

The concept of Amerindian Indians related to the indigenous peoples of Latin America. In Paraguay, the culture of the so-called “Aché” was named Guajagui, Guayaki or Guayaki-Ache by rival Guarani peoples. The proposed work will discuss the Indian-subject-form in relation to culture and ethnicity through indigenous literature. The general objective is discursively analyze the Aché Indian-subject-form of the hunting man in conditions of voice, sound and singing in the forest. The research question is how does the man’s body work textually-discursively with the voice, the singing and the sound in the space of the forest? The selected clipping is the men’s song, which unlike the women’s song almost always occurs during the night. The analyzes study the singing of the man who talks almost exclusively about his adventures as a hunter, the animals he encountered, his wounds and his skill in handling the arrow. Through repetition, the analyzes investigate the gesture of the body of the voice in the enunciation in cho rõ bretete, cho rõ jyvondy, cho rõ yma wachu, yma chija (“I am a great hunter, I usually kill with my arrows, I am a powerful nature, an angry and aggressive nature!”) and the undisputed glory in vigorous prolongation in Cho, cho, cho (“Me, me, me”). The analysis work focuses on the imposed determination of the body-imprisoned to ancestry, in full management of anguish and loneliness in the present, in a desiring search for a utopian body-liberated.