Lesbianism and blackness
an analysis based on the experiences of the character alike
DOI:
https://doi.org/10.9771/peri.v3i21.64532Abstract
This article, with a qualitative approach, addresses the intersection of lesbianism and blackness through the analysis of the identity of the character Alike, the protagonist of the film "Pariah". The objective of this work is to understand, within the discourse of the existence of black women in cinematographic art, how macro and micro-violences intersect the identities of black lesbian women, analyzing the character's life story narrative. The analysis was constructed through Critical Social Psychology, in dialogue with dialectical historical materialism, providing an understanding of the character's identity as a constantly evolving process. We observed that the intersections of lesbophobia and racism permeate the construction of the identity of the character, limiting her possibilities of existence. The research allowed us to perceive the importance of constructing a political identity in the character's story, as this enables the construction of fragments of emancipation.
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Copyright (c) 2025 Tiffany Simpliciana de Souza, Isadora Oliveira Rocha , Renata Chrystina Bianchi de Barros, Fernando César Paulino-Pereira

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